Tuesday, June 30, 2015

Beware The Terminator


     There are some movie quotes that everyone knows, even if they’ve never seen the films. Two such classic phrases, including “AH’LL BE BACK,” and “Hasta la vista, baby,” often get tossed between nerdy friends so frequently that their origin films have almost been forgotten and lost in the past.


     But now, thanks to the bizarre number of remakes and sequels that Hollywood is churning out this year, you all have the chance to see those particular quotes repeated (or perhaps re-written) as Arnold Schwarzenegger returns to the silver screen to reprise his supreme iconic role as… the Terminator.



     But what has that role looked like in the past? And what can the previous Terminator movies tell us about the film that’s coming to theatres this Independence Day weekend? Allow me to give you a nice spoiler-free idea of what to expect from the upcoming film, Terminator Genisys.

Hogwarts Terminator, A History

     Back in 1984 when computer-generated special effects were just starting to replace claymation in fantasy and science fiction films, an action-thriller called Terminator was produced by Orion Pictures. The director? None other than James Cameron, whom you may know as the mastermind behind major blockbusters including Titanic and Avatar.



     The film was an immediate hit with audiences, both for its gritty, sic-fi-laced adrenaline rush and for its physically-impressive lead played by Arnold Schwarzenegger (who was then rocketed to stardom).


     The franchise has since spawned several sequels (Judgement Day in 1991, Rise of the Machines in 2003, and Salvation in 2009), a slew of video games and graphic novels, and even a television show called The Sarah Connor Chronicles.


     With perhaps the exception of the much-beloved second movie, Terminator 2: Judgement Day, the continuations have been received to generally-mixed responses and are said to have slightly diminished in plot quality over the years. The newcomer in the list, Genisys, looks to be a bit of a toss-up at the moment (though it will be directed by Alan Taylor of Lost and Thor 2, so here’s hoping).



The Plot

The Terminator
     In the year 1984, a young woman named Sarah Connor is going about her bland life as a waitress. However, to her horror, two strange men begin following her: one to kill her, and the other to save her. And the police can't stop either of them.


     She soon learns that they are both from the year 2029 — and from a future that has been overrun by machines in the wake of a nuclear war. In that future, the one man who fought and eventually defeated the machine was John Connor: Sarah’s future son. And so, in a last-ditch effort to win the war, the machines commandeered a time machine and sent back a humanoid robotic Terminator to kill her before her son has even been conceived. And her adult son, in turn, sent a volunteer named Kyle Reese back in time to protect her.

     Soon Sarah falls headlong into a heart-pounding run for her life, as she and Kyle try and find a way to defeat the invincible assassin on their tail… or else risk the future defeat of all humankind.


The Terminator 2: Judgement Day
     It is now the year 1991, just three years before the predicted nuclear war that will destroy the majority of humanity and give rise to the rule of machines. After spending years raising her young son and preparing for the apocalypse, Sarah has lost John in a custody battle and is struggling to escape from a mental asylum for unstable women. 


     Unbeknownst to her, a second, newer-model Terminator has been sent back in time from the future… this time to kill John before he even becomes a teenager.




     However, as before, a protector from the future has also been sent to guard him. As Sarah and John are tangled in a new web of time travel, they decide to take matters into their own hands and try to prevent the apocalypse from ever happening at the hands of the organization Skynet in the first place.


Terminator 3: Rise of the Machines
     Years after the attempts on his life when he was a boy, John Connor has grown up and seen the year of doom, 1994, pass without incident. However, a sudden attack on his life by a new terminator sets him on a new path, because a guardian from the future comes to his aid and warned that the apocalypse by Skynet has only been postponed, and not fully stopped. Without his mother to guide him, John and his new friend Kate Brewster must try and escape the latest Terminator model and prevent the apocalypse that is looming less than a week away.



Terminator Salvation
     After the nuclear apocalypse has wiped out the majority of humanity, John Connor struggles to guide the human resistance against the machines.



     However, he doesn’t count on the actions of Marcus Wright: a former convict who was executed in the years prior to judgement day, and who donated his body to science. Mysteriously resurrected in the bowels of an evil Skynet lab, Marcus seeks out Connor and meets the young Kyle Reese along the way



     …just as the war comes to a peak and Connor struggles to fulfill his destiny as mankind’s savior.

The Appeal

     Before Michael Bay took over the explosions-and-testosterone market (for better or worse… mostly just worse), films like Terminator and Rambo satisfied audiences with thrilling chases and fiery violence that was complimented by characters who weren’t one-dimensional cookie cutters. Terminator does have its fair share (and sometimes more than its fair share) of sexual tension, ridiculously-convoluted chase sequences, and even some adult nudity — but it actually deals with some of the obstacles that come with running for your life: like paranoia, trauma, injury, and eventually ingenuity.





     The series also has a history of including one major plot twist per film. Modern audiences may be able to spot or predict these “surprises” without too much of a strain, but that doesn’t make them any less enjoyable, especially in the first two movies. Not to mention that the special effects are still pretty impressive for the most part, when you consider the years that these movies came out.



     Terminator also deals with the “looming apocalypse” genre very well. One of the real struggles with such sagas is that it’s actually very hard for a modern audience to relate to characters who have to fight and scavenge for a living. We may love the gritty stories, but it’s hard for us to really place ourselves in those situations.



     The Terminator series (all but the fourth one) takes place in modern-day, showing the effects that a post-apocalyptic world could have on our present one. That’s what really drives home the grit and the adrenaline. (Well, that and the musical theme that always plays over the movie titles. Goosebumps galore!)



     Now, that still doesn’t make Terminator the most intellectual screenplay ever written, but it was the original man-versus-machine film. It terrorized audiences with a grim, technology-ruled future long before The Matrix ever did, and it’s arguably the best role that Schwarzenegger’s ever played. (Some might say that it’s because he didn’t really have to act at all; others might say that it’s because he’s so physically perfect for the role of a deadly brutish robot. I think it’s because his accent gives the Terminator a more foreign, not-human quality that adds to the tension. Opinions vary.)


The Rating

     The series is pretty immediately R right from the get-go, so don’t bring the kids along.



     Violence: There are invincible robots running around killing innocent people, so there’s a fair bit of gore. People are crushed, sliced up, impaled, burned, you name it. In some cases, characters (usually semi-robotic ones) get their eyes or flesh sliced through, both during fights and if/when they’re operating on themselves. The audience can see pretty much everything, and it’s worth a lot of cringing.


     Sex: There are some occasional moments of romance and couples are left by the camera before things get too racy, but a mature audience is still required here. Almost every movie has at least one case of full nudity, front and back — and even if it is in shadow, it’s still kind of unnecessary and over-the-top. (I don’t think I’ve even seen Michael Bay go this far for his audiences, and that’s saying something.) There are also some pretty creepy, didn’t-need-to-see-that implications made about the relationships between patients and caretakers in the female asylum.



     Language: Yep, still worth the rating. Characters drop almost every major censored word in the book, even a boy who hasn’t hit his teens yet. Like the nudity and violence, it’s all for the sake of pulling the audience into the gritty underworld.


The Genre

     Terminator is a mix of both modern run-for-your-life thrillers, and intricate Matrix-esque themes dealing with both machinery and time travel. The latter movies really start to mess with the timeline(s) until it’s severely unclear which people in the future are still alive, and it doesn’t look like Genisys is going to be much of a help in that department… But at least, unlike the bleak post-apocalyptic Terminator Salvation, Genisys is going to take place back in the modern world again.


     There won’t be a lot of moral themes running through the film (except, perhaps, “Don’t get too dependent on your Smart Phone”), and it’s hard to tell whether the new film will have a good mix of characters that differ in race and gender. The past few films have varied from impressive to shameful in both departments. Frankly, this adventure is mainly about the explosions.



     So is it worth it?

The Decision

     That depends on you. If blood, guts, and gritty cursing isn’t your thing, I probably wouldn’t recommend it (boy, I just made this series sound pretty awful, didn’t I). Terminator is the sort of adventure that feels real perhaps because of the fact that it doesn’t shy away from tangible, terrifying circumstances.



     For some of you, that may make it an immediate no-go. But for others of you who don’t mind the occasional gritty thriller like Rambo, The Pelican Brief, or any adaptation of a Tom Clancy novel, then you might be pleasantly surprised by what Terminator has to offer.


     The first two films are really the best — though it doesn’t look like you can walk into Genisys without familiarizing yourself with all four. Christian Bale (Batman Begins) and Sam Worthington (Avatar) star in the fourth one, so at least you’ll get some familiar faces there.

It's like Reign of Fire. Just replace the dragons with robots.

     Trailers
     And if you’re still on the fence, just give it time. There are plenty of trailers on Youtube that might interest you if you’re more of a visual person (like myself). Most fan-made “ultimate trailers” are little more than clips of explosions that have been edited together, and the ones that are actually well-done tend to reveal the major plot twists for one or more of the movies. So I would recommend the original trailer for the first film. It’s a great taste of what you’re in for — but it’s also pretty graphic and practically worth an R rating itself, so be warned if you have a weak stomach. 


Conclusion

     In the end, if you know any Terminator fans (or just fans of classic action blockbusters), I’d recommend that you ask them whether you’re ready for a film series like this one. They know you better than I do. Then fix yourself a big bowl of popcorn and find an especially-comfy couch, because heart-pounding thrillers like these don’t get churned out like they used to. Terminator is the quintessential action movie, with enough explosions to keep you stupefied and juuust enough intelligence to keep you satisfied.


Monday, June 29, 2015

Girl Meets World, Season 2: Episodes 6-8 Discussion



~Spoilers ahead~ 

Aired: Friday, June 5th
Friday, June 12th
Friday, June 19th
Disney Channel @ 7:30 (central time)


Girl Meets the Tell-Tale-Tot


Today's lesson:
Lying and it's weight on your conscience. As illustrated by Edgar Allen Poe's The Tell-Tale Heart.

Expansion on that:

Oh, happy day... Uncle Josh will be going to school in New York! Maya, obviously, is thrilled. And so with renewed vigor, she sets about trying to get him to like her. Of course, the age difference is still in his mind.

The plan this time? Show up at a party he's been invited to. Riley is shocked to learn that said party starts at ten o'clock! As a trial run for later, to see if Riley can keep quiet, Maya gives her one of Cory's tater tots at dinner. And lo and behold, the thing comes to life in her mind!

So, does Maya have a conscience after all? Does the tot follow Riley until she goes mad? Does she blab before the party? To learn what happens watch the episode. What, I can't tell you everything!

Girl Meets Rules

Today's lesson:
 Actually, I'm not entirely sure. Maybe something about how others impact our lives? It was hard to tell admist the crazy of this episode. Maybe one of you could tell me.

 Expansion on that:

The whole class gets detention, because of something that happened when Cory was late. Riley and a few others behave, while the rest, with Maya leading the charge, go wild. 

Meanwhile, Ava wants Topanga to help her, so she doesn't lose Auggie to another girl. LOL!
To find out more about both storylines, you know what to do... that's right, watch the episode! 


Girl Meets Hurricane
guest starring: Rider Strong (Shawn Hunter) and Trina McGee (Angela Moore)
cameo appearance: Blake Clark (Chet Hunter)



Ok, I know I had that one format for both episodes prior to this, but I have to just say it.

I was worried about this episode, when I heard it had Angela. As a BMW fan, I did love her... but she stomped all over Shawn's heart when we last saw her. And I have become a big fan of the idea of him becoming Maya's father figure, possibly step-father. So, when I heard Angela was back... my fangirl heart got nervous. What would her return spell for Shawn's growing connection with Katy Hart?


Sadly, saying anything beyond that right now would ruin it. And this is one of those episodes that needs to be seen. Especially for those that are fans of both shows. For BMW fans, it brings closure, for GMW fans... it's hard to describe. Just please watch this, so I can have someone to talk over it with!

~~~~~~

Ok, see ya next time! Thanks for following along! 

Dear Marvel, About Spider-Man...


Last week, it was announced that Tom Holland would be playing Spider-man in the upcoming Captain America: Civil War. We gathered together to write a letter to Marvel about this. Here's what we have to say.

Jenna Blake Morris

Dear Marvel,

Honestly, by this point, it only seems fair for some of your Spidey fans to feel jaded. We've been through quite a few Spider-Man movie adaptations by now--some of them great, and some of them kind of cringe-worthy. And a lot of that success, for me, has hinged on who you've casted as Peter. As someone who loved Andrew Garfield and his awkwardness in the role but could barely watch Tobey Maguire--and someone who really, really loves the Spider-Man character--I've been waiting pretty nervously to see your next pick.

And then you announce him, and I have no idea who he is.

Which pleases me.

On one hand, I don't know anything about Tom Holland--I don't know what kind of roles he’s played or what his acting style’s like. But hey. I trust you, Marvel. And I love it when an "unknown" gets chosen for a role, because it means they can really become that specific character in my mind. Plus, this guy actually looks like Peter Parker--kind of young, kind of average. His age is what excites me most: I feel like we'll finally get a convincing teenage superhero, and that'll stand out even more sharply with Spidey surrounded by giants like Cap and Iron Man. ("Giant" being completely figurative in Tony's case, of course.) It gives me hope that we'll be seeing a fresh take on the Spider-Man cinematic lore, and I'm pretty pumped for that.

With any luck, this new take on casting can mean something similar for Spidey’s future solo movie, too. We’ve all seen the origin story a million times—tweak its details and love interest all you want, but I think it’s fair to say we’ve all had enough of it. Instead, I want a story that takes advantage of what made Peter Parker unique as a superhero from the very beginning: the fact that he’s a teenager. It’s something that can set Peter’s story apart from those of all the other heroes we’ve seen so far in the MCU, and I’m sure it’ll give him a fresh perspective in the midst of the Civil War craziness.

Basically, here’s looking at you, Marvel. Here’s looking at you.

 Jaime Heller

Dear Marvel,

I understand you’ve been swinging the rights of Spider-man from one movie company to another and there’s a big web of complications that come with it. I know that this includes the changing of actors, story lines, and comic adaptations that come with it. But do we really need another origin story for our Friendly Neighborhood Spider-man?

We only had a Spider-man reboot three years ago. Three years! In three years will we be starting over again? While it’s cool to add another young face to the mix with Tom Holland, I can’t help but think it could have gone in a different direction.

First, you could have just kept Garfield, right? Obviously if you go anywhere on the internet you’ll find plenty of fangirls who love his portrayal and even fanboys who agree he nailed the part. Why not keep him? Was he not included in the deal?

Second, you just revamped the comics with a new Spider-man, a Spider-man of color, Miles Morales. While some people may not like his origin story because he sounds wimpy or lame, I can assure you it would have been an interesting twist to the MCU. Plus, you could have had Garfield swing into the part for a brief shot to help the new Miles Morales come into his Spidey skin (or web). It seems it could have been the perfect balance to 1. satisfy fangirls of Andrew Garfield’s Peter Parker 2. introduce another POC in the MCU 3. have an origin story we haven’t heard already.

Third, you could have given the well-known hero a twist, as you’ve done in the comics, and gone with Spider-Gwen. I know many people were outraged at Gwen’s death in The Amazing Spider-man 2 (despite it being canon to the comics). Why not bring Emma Stone back for the next reboot? Not only would it probably make fangirls overjoyed, but it will also give another strong female character to the MCU. We can never have enough of those (See: Peggy Carter, Natasha Romanoff, Sharon Carter, Maria Hill, etc.)

While I have no opposition to Tom Holland--he’s a new face without baggage of past movies or stereotypes from being a child star--I don’t know how this will leave Andrew Garfield’s supposed trilogy. Will you just leave it dangling with the end of the second movie? Because I kind of wanted to see the rest of his story arc play out… which could have led to this new Spidey taking over.

I’m sure you--as the High and Mighty Comics-to-movie Adaptation Lord--know what you are doing. I have put my trust in you thus far, don’t leave me disappointed. Anyways, Spider-man isn’t my favorite hero, so as long as he provides a few laughs and helps out the team, I’m glad to welcome him to the Avengers.

Speaking of the Avengers, I have a few words to say to you about a certain Star-Spangled Man, but I suppose I’ll leave that for another time.

Sincerely,

An Inquisitive Marvel Fangirl

Sky Destrian

Dear Marvel,

What's up? How've you been? All pleasantries aside, I'm here to talk about the latest Spider-Man casting. Yes, I say latest, because this is the third one in thirteen years. But I'm sure you already knew that. 


First off, about Tom Holland. He's not a bad choice. I'm sure he'll do great. He looks fresh-faced and ready to take on the world. I have no doubt he'll be great as Peter Parker, and I'm excited to see how he does.

However, I'm here, once again, to talk to you about the lack of diversity. You've obviously heard of Miles Morales. You may have even heard people say that we need more people of color in the MCU. And it's true. While I love The Avengers as much of the next girl, there's no doubt that there is a distinct lack of balance. The world is diverse, and to reflect that, the MCU should also be.

But what's an incredibly successful franchise to do? Well, I believe you missed out on a great opportunity. Here I saw recasting Peter Parker (or Miles Morales, or whoever you'd like Spider-man to be this time) as the solution to the problem. You could have made Peter Parker a different ethnicity, put some other character as Spider-man altogether, or used Miles Morales (my personal favorite). And yet, once again, we have followed the trend of not casting a person of color. I'm going to be honest with you, Marvel... I'm a bit disappointed. While I'll support Spider-man and your movies, I'm saddened by what occurred here this past week. (I suppose now would be a good time to tell you I'll miss Andrew Garfield terribly, as well.)

I look forward to seeing how Tom Holland does, and I bear no ill will towards him. I think it will be nice to have Spider-man in The Avengers franchise. But I'll still be wondering what might have been.

You've no doubt heard this all before, but I wanted to make my voice heard. If you need to get a headcount on those who are asking for diversity, count me in.

With all my love,
Sky

Rica Wiersema

Dear Marvel:

Perhaps this isn’t the place to go off on a tangent. After all, perhaps those rumored emails between you and Sony are just that: mere rumors. And even if they are real (which they likely are), they seemed to focus more on Peter Parker than on Spiderman.

I suppose it’s a good thing that you want to adhere to Parker’s original story (seriously, though: we know you were planning to do that anyway). And in terms of casting him, I think you made a decent choice. Tom Holland does seem to look the part. There’s not much else to say about him, though, since none of us really know how well he is on the screen; he’s only been in six films thus far (and two of them were animated).



With that being said, some of my friends, especially the diehard Spidey-maniacs (sorry, Ryan) may disagree with me on this…

BUT.

May I just say, with all due respect, that we as fans do not need more Peter Parker?



Spiderman, yes.

Parker… we’ve had plenty.



For one thing, Sony made not one, but five movies about Parker in the past two decades. Not only that, but two of those films were roughly the same thing: an origin story! Andrew Garfield did a great job in the role, and I don’t doubt you’ll try to breathe new life into Parker again since you’re obviously planning to do just that. But for goodness’ sake, you do have options, you know!



You don't have to cast a white actor! I don't even read the comic books, but I still know about… (cue epic music)… Miles Morales.



I implore you to consider the impact that he could have on your stories and your franchise!

1. Miles Morales isn't in the cinematic universe yet. His origin story hasn’t been explored by all of those people who don’t bother to read your comics. A lot of them are actually getting tired of Spiderman, if that were possible, but this will reinvent the hero and keep him fresh for them.



2. Miles Morales is beloved by comic book fans. That means, if you were to use him instead of Peter Parker, the comic book fans would go ballistic. They would practically do the press release for you! The internet is a big place, and lots of articles and news would center around this new character, why you chose him, and why people love him. In other words, you would get lots of attention, and that’s always a plus, right?

3. But most importantly, that attention would be positive, because daring to make a movie with Miles Morales would be another step towards really acknowledging and respecting the racial groups who are being somewhat ignored or pushed to the margins in your franchise.



It’s a very sad fact that all your Avengers are Caucasian, and all of your superheroes with origin-story films are male Caucasians. Yes, you do have Nick Fury and War Machine and Sam Wilson and Black Widow and others, but right now you’re treating them like supporting characters at best.



There’s really not much left to say beyond that, Marvel. I am but one of hundreds— nay, thousands of voices who are begging you now: we have had enough of Peter Parker.



We want Miles Morales.

We want a female superhero with her own movie.

We want a Marvel hero who is not a Caucasian man.

Honestly, what could you possibly have to lose? You’ve already made a movie with a talking raccoon!


What do you think about the new Spider-Man casting?

The first image in our post was made using a transparent base from here.