Showing posts with label Hamilton. Show all posts
Showing posts with label Hamilton. Show all posts

Wednesday, January 4, 2017

16 Books You Should've Read in 2016


A new year means opportunities for new goals and new fangirl moments. Many of my goals include reading books. I've set a new reading goal on Goodreads, and I'm now looking through lists of books that will be published this year to decide what I want to read. But there were also a lot of books published last year that I didn't get to read. If you're in the same bookworm pickle, trying to figure out what to read and not read, here are sixteen books that were published last year that you might want to add to your TBR pile for 2017.

Pax by Sara Pennypacker
Published February 2, 2016

I've heard good things about Pax. It's been on several lists for middle grade books, and it's gotten a lot of great reviews. While I haven't read it myself, I think it'll be worth checking out. Plus, it's about a fox!

Salt to the Sea by Ruta Sepetys
Published February 2, 2016

I've seen Salt to the Sea on a lot of 2016 book lists. Several authors I adore said it's amazing. I haven't read it myself, but I've heard only good things. Plus, it's inspired by a historical event that isn't that well known, so that's pretty cool.

A Gathering of Shadows by V.E. Schwab
Published February 23, 2016

A Gathering of Shadows is book two in the Shades of Magic trilogy by V.E. Schwab. This adult fantasy series involves four Londons, awesome magic, cross-dressing pirates, and a whole lot of crazy. I guarantee you'll fall in love with at least one character (if not all the characters) and you'll be dying to read A Conjuring of Light, which releases in February. If you haven't read this series yet, add it immediately.

Hamilton: The Revolution by Lin-Manuel Miranda
Published April 12, 2016

Do I really need a reason for you to read this?

The Raven King by Maggie Stiefvater
Published April 26, 2016

The Raven King is the final installment in the Raven Cycle by Maggie Stiefvater, and I've only heard good things about the conclusion. If you're looking for interesting characters, a little bit of magic, and a whole lot of strange, Stiefvater is your author. (Plus, isn't that cover just gorgeous?)

The Hidden Oracle by Rick Riordan
Published May 3, 2016

The god Apollo is cast down from Olympus and becomes a mortal teenage boy, pimples and all, as punishment from Zeus. With no idea how to regain his god status, Apollo heads to Camp Half-blood for help. This new series by Rick Riordan takes place after the Heroes of Olympus books and continues stories of several beloved demi-gods. If you don't want to say goodbye to Percy Jackson and Co., read this book. New concepts and characters are introduced as well to further the Half-blood legacy. 

The Cursed Child by John Tiffany, Jack Thorne, and J.K. Rowling
Published July 31, 2016

For Harry Potter fans, reading this new installment in the franchise is a no-brainer. While it's a play adaptation of Rowling's original story, I've been told it's still worth looking into if you consider yourself a Potterhead.

A Torch Against the Night by Sabaa Tahir
Published August 30, 2016

Another unique fantasy series, A Torch Against the Night continues the story of Elias and Laia in their violent, dystopian world. This book left me in ruins with an aching heart. So much happens to these characters, and new ideas and concepts are introduced to the world. It was fantastic, and I can't believe I have to wait until 2018 for the next book. Take your time to savor this book. 

Crooked Kingdom by Leigh Bardugo
Published September 27, 2016

If you enjoyed Six of Crows, you don't want to miss the conclusion to the story about criminals trying to be heroes. Crooked Kingdom was a wild ride from start to finish, bringing in more heists, more magic, and more gut-wrenching moments. I'd consider this one of the best books I read in 2016. Plus, it includes lots of waffles.

Some Writer!: The Story of E.B. White by Melissa Sweet
Published October 4, 2016

Some Writer! was a book that took me by surprise. It's a biography of E.B White, the author of classic children's books like Charlotte's Web and Stuart Little. But the format of the book is different than normal biographies. Each page is formatted in a scrapbook/smashbook style with notes, pictures, and scrawled handwriting to tell White's story. It's magical. There are small details woven throughout that bring his well-known stories and characters to life in a new way. If you're a writer or you love White's work, I highly recommend reading this. It was inspiring.

The Sun is Also a Star by Nicola Yoon
Published November 1, 2016

If you're a fan of cute romance, diversity, and just overall adorableness, read The Sun Is Also a Star. This book follows two characters of different backgrounds and ethnicities that fall in love over the course of a day. It's utterly adorable, and it just might make you think about life, culture, and fate. 

Graphic Novels
Ghosts: I haven't read this book, but I've heard great things about it. It's been on several "best books" lists and is highly recommended. If you give it a try, let me know what you think!

Lumberjanes: This series is amazing for several reasons. It's diverse--all five of the Lumberjanes are different, unique, and wonderful. They're allowed to be themselves with no judgment or awkwardness. It's uplifting and fun. Despite being at summer camp, the Lumberjanes learn about friendship, trust, and bravery among other qualities. It's also completely ridiculous and fun with magical caves, raptors, and an old lady that shapeshifts into a bear. It's great.

Spider-Gwen: This comic is part of the Spider-verse and takes place in a universe where Gwen Stacey is bitten by a radioactive spider and gains spider powers. Not only is Gwen hilarious, but she gets the job done. Honestly, we just need a Spider-Gwen movie (or TV show) at this point. She's so much better than Peter.

Wonder Woman (Rebirth): I haven't had a chance to read this one yet, but I've heard it's amazing. For Wonder Woman's 75th anniversary last year, DC revamped her story line as part of the Rebirth series. Basically: it's epic, and you should read it. We all should read it.

Groot: This comic surprised me the most. It's adorable, set in outer space, and all about friendship. Honestly, it's my favorite comic from 2016. Groot is utterly adorable as he gets sidetracked helping people as he goes to save his friends. He's also a tree in outer space, and he only says one sentence over and over, yet the story is touching and says a lot. The artwork is brilliant. I love it so much.

What are your favorite books from 2016?

Thursday, November 17, 2016

INTJ Diaries: Aaron Burr, Sir


Dear Diary,
I'm done. Hamilton started the game, but I'm going to finish it.

A while back, I talked about the merits and strength of an INTJ/ENTP friendship. Now I'd like to explore the other side of that coin (er... ten-dollar bill?). While INTJs and ENTPs can complement each other nicely, they don't always. Check out the ENTP thread on the INTJ subreddit, and you'll find all sorts of mixed views. Sometimes iron sharpens iron for the better, and sometimes, well, one or the other is stretched a little too far. And then they snap. 


How does Hamilton--an arrogant immigrant orphan bastard whoreson--somehow endorse Thomas Jefferson--a man he's despised since the beginning--just to keep me from winning? ...you've kept me from the room where it happens for the last time.
Hamilton's Aaron Burr is the perfect example of an INTJ's descent into vengeance and madness. He starts the show amiable, helpful, quiet and reserved, but generally willing to lend a hand where needed. But little things add up, more and more things start to nag, start to burn, and eventually he's had enough. He makes a rash decision--something INTJs should never do--and, well, the rest is history. Literally. But let's start at the beginning.


So Hamilton, this wet-behind-the-ears, nineteen-year-old kid finds Burr in a bar and is like, "Hey! Hey! You don't know me but I heard your name at school and I want to be just like you!" And Burr is like, "Well, okay, sure. Who are you?" The conversation continues and eventually Burr says, "Dude. Calm down. Here's a tip: Talk less. Smile More. Don't let them know what you're against or what you're for." This is the INTJ motto. Keep your friends close, your enemies closer, and your thoughts and beliefs closest of all. It's not that we don't think we have good things to say. On the contrary--we hold ourselves in very high esteem. It's just that we know mystery is power. The less people know about us, the easier we can surprise them, the easier we can confound them. The easier we can win.

The rest of the show is essentially Hamilton not listening to that advice.

Image result for hamilton no hamilton yes

Burr, like all good INTJs, spends a while trying to keep Hamilton in check. He's the exasperated father of the revolutionaries. But then George Washington enters the mix. Burr sees this as a chance to put himself to good use, a chance to advance in the ranks, to make something of himself.

Your excellency, sir! Permission to state my case? I was a captain under General Montgomery until he caught a bullet in the neck in Quebec and well, in summary, I think that I could be of some assistance. I admire how you keep firing on the British from a distance. I have some questions, a couple of suggestions on how to fight instead of fleeing west...
This is the perfect INTJ introduction. He asks permission to speak and has it all planned out. He gives background, states his purpose, slips in a compliment, is polite and succinct, and has reasoning for everything he says. But then Hamilton enters the tent and it comes to light that Washington had asked to see Hamilton. Burr is dismissed without a second thought. That's a blow to the pride if there ever was one. We don't deal with that well.


So Burr disappears for a bit while Hamilton courts Eliza, and shows up again at the wedding where he's mocked by all his friends and it's revealed that he's dating a British officer's wife. During this conversation, he tells Hamilton to "be sensible" (the rallying cry of INTJs everywhere), and later, Hamilton says to Burr, "I will never understand you" (the rallying cry of everyone confronted with an INTJ). So Burr explains himself. If you read my last INTJ Diaries, you'll recall that INTJs love a chance to explain themselves. Burr is no exception. Enter "Wait For It"--the most important song for Burr's character.

Let's break it down step by step.

Love doesn't discriminate between the sinners and the saints--it takes and it takes and it takes. And we keep loving anyway. We laugh and we cry and we break and we make our mistakes, and if there's a reason I'm by her side when so many have tried, then I'm willing to wait for it. I'm willing to wait for it.
INTJs have both a very black and white and very grey view of the world. We see that everything is subjective--"love/death/life doesn't discriminate between the sinners and the saints"--which accounts for the grey. Nothing is set in stone because everything depends on people and people are notoriously unreliable. But we're also very set in our belief that everything is subjective. We know how the world works and we know what's going to happen--"we laugh and we cry and we break and we make our mistakes"--so we're able to make black and white judgments frequently and, if I may say so myself, well.

So Burr approaches his relationship, and later, the rest of his life, with this dichotomy of thought, and comes to the conclusion that he's where he is for a reason. He doesn't know that reason yet, but that's okay. Because he's going to wait for it. INTJs are all about the waiting game. In the story of the tortoise and the hare, INTJs are the tortoise. We're slow, we're steady, and we win the race. So Burr, in contrast to Hamilton's crazed mania, is going to wait.

I am the one thing in life I can control.
When I heard this line, I was blown away. So simple, and yet such a deep truth. INTJs know that the world is unreliable; we know that most of life is out of our control despite the fact that we've gotten fairly good at manipulating it. But we can control ourselves. We can talk less and smile more. We can keep our hearts not on our sleeves. We can be mysteries. We can be brilliant. We can be in control. So when Hamilton comes in and screws up all of Burr's pre-laid plans, well, Burr isn't happy. His gut starts to twist and knot. His mind rebels against any sane rationalization and Fi (introverted feeling) starts to take hold in all its underdeveloped glory. Suddenly emotions are dominant, anger is dominant, and he makes a snap decision. But more on that later.

I'm not falling behind or running late. I'm not standing still, I am lying in wait. 
Justification. A common trait of INTJs is being able to justify literally anything. It's a fun mental exercise to see just how far we can take a rational argument. (It pisses people off to no end.) Here, Burr is feeling inadequate. He sees how far and how fast Hamilton has risen. He hears the critiques of his peers, even if he doesn't acknowledge them, and it takes root somewhere deep. So he justifies his actions. He's not falling behind anyone. He's not losing the race of life. He's lying in wait for something greater. The tortoise will win--it'll just take time. He also manages to spin inaction into action. By not moving forward, he's not standing still, he's lying in wait. He's suddenly doing something rather than nothing. Isn't rationalization great?

Hamilton faces an endless uphill climb. He has something to prove. He has nothing to lose. Hamilton's pace is relentless: he wastes no time. What is it like in his shoes? Hamilton doesn’t hesitate. He exhibits no restraint; he takes and he takes and he takes. And he keeps winning anyway. He changes the game he plays and he raises the stakes, and if there’s a reason he seems to thrive when so few survive, then God damn it I'm willing to wait for it. I'm willing to wait for it.
Ah, jealousy. Admiration. Malice. Disgust. It's all in there. Hamilton is doing better--Burr knows this. Burr watches Hamilton and sees everything that Burr himself cannot do. INTJs are generally unable to act without hesitation. We're unable to act without restraint. And we usually view these as weaknesses. They don't lead anywhere good. They lead to unwise actions and early deaths. (Which, granted, is true, at least in this case.) But somehow this way of life is working for Hamilton. He keeps climbing and succeeding and winning. But how? Why?

And this is when Burr acknowledges that they're playing a game. INTJs have a tendency to view the world and all their actions within it as one large chess game. This move causes this move which results in this move: saying that will upset her which will upset him which will allow me to take his queen while he's upset. Every action has a reaction, every move a countermove. Everything follows the rules of the universe, which each INTJ has divined for himself through his interactions with other people. But Hamilton--Hamilton changes the rules and then raises the stakes. He's reckless and it's paying off. And whatever the reason for that is, it'll eventually come to light. And Burr will be there, ready to pounce. Ready to win.


So this mindset influences how he acts for the rest of the show. He's reached a turning point. At first, Hamilton was just this vaguely annoying kid with some good ideas and a lot of zeal. He was interesting, amusing. But then he started to get the upper hand. So, like any good INTJ, Burr stepped back to reassess the situation and came to the conclusion to wait. And so he waits.

"Dear Theodosia" is a chance to take a break from the deeply personal conflict and see that Hamilton and Burr aren't really that different after all. (Shadow functions, anyone?) They're both trying to do what they think is best. They both want the best for their children. They both want the world to end up more or less the same way, they just have very different ways of going about. There's a small hope that they can go back to getting along, but then Hamilton opens his mouth. 
Image result for hamilton character

"Why do you assume you're the smartest in the room?" Burr asks. He has had it about up to here with Hamilton. "Goodness gracious, child," he thinks. "You're not nearly as smart as you think you are. So calm down, and then do us all a favor and shut up."

Then Hamilton comes to Burr in the middle of the night which Burr, as any tired INTJ would, points out. "Is this a legal matter?" he asks. "Yes, and it's important to me," Hamilton replies. Though, really, everything is important to him. "Burr, you're a better lawyer than me. I know I talk too much, I'm abrasive. You're incredible in court! You're succinct, persuasive. My client needs a strong defense--you're the solution." Burr is going, "Yes, yes, tell me something I don't know." And then, of course, he asks, "Who's your client?" and Hamilton timidly responds, "The new U.S. Constitution?" I can almost feel Burr rolling his eyes and sighing.

Burr: No.
Hamilton: Hear me out!
Burr: [Let me rephrase that...] No way!
He's hedging his bets. As much as he secretly admires Hamilton's ability to rush headlong into something and come out the other end successful, he refuses to try it. "But what if you're backing the wrong horse?" he asks. INTJs have to come at everything from every perspective. We see every side of an argument, which is one of the reasons why arguing with us is so irritating. (It's also one of the main reasons INTJs and ENTPs get along. Both types love to argue just for fun.) So he refuses to take a stand and Hamilton goes on to succeed some more.

They meet up again in "The Room Where It Happens," and Burr hits his final straw for going easy on Hamilton:

Hamilton: I'm sorry, Burr, I've got to go.
Burr: But--Hamilton: Decisions are happening over dinner. [Without you.]
Don't get me wrong, he's still going to be civil. Nice, even. But he's done waiting. Burr decides to act. "I want to be in the room where it happens." And that decision is irreversible. It sets him on a course, one that no one could stop.


See, when INTJs get an idea in their head--one that stays for more than just a fleeting conversation or thought experiment--it's nigh impossible to shake. It becomes an all-consuming force that drives every action and decision until the idea has reached its completion. This is often (frequently) harmful in relationships because if it doesn't have to do with the other person, the other person is mostly ignored. If it does, well, I can't imagine many people are comfortable with that level of scrutiny and obsessiveness. Crushing doesn't usually work well for us.

So, with an end goal decided, Burr runs for senator and beats out Hamilton's father-in-law. Hamilton is, understandably, not happy.

Hamilton: I've always considered you a friend.
Burr: I don't see why that has to end.
Hamilton: You changed parties to run against my father-in-law.
Burr: I changed parties to seize the opportunity I saw. I swear your pride will be the death of us all. Beware: It goeth before the fall.
Burr, in INTJ fashion, doesn't understand why Hamilton is upset. "Of course we can be friends. Why wouldn't we? It's all business." Hamilton, of course, doesn't see it that way. In Hamilton's life, everything is connected. Burr is able to compartmentalize. Burr didn't care who he beat--Schuyler was just the best chance he had. He just wanted power. Hamilton thinks it's a personal slight. The INTJ/ENTP relationship starts to sour. Don't get me wrong, this one was never really good to begin with. But it was fairly neutral. Not anymore.


Then Burr runs for president. He goes door to door campaigning, which is quite the task for an INTJ. We don't like interacting with people, much less people we don't know. So it only makes sense that Burr says, "Honestly, it's kind of draining." But he has a goal. He has decided what he wants and he will stop at nothing--no matter how unpleasant--to reach that goal.

Hamilton is MIA, and people are begging him for an opinion. "Jefferson or Burr--we know it's lose lose. Jefferson or Burr--but if you had to choose?" I truly believe that Hamilton thought about his answer. Burr was his friend, after all. But then pride--both of theirs--got in the way. So Hamilton responds:

If you were to ask me who I'd promote-- Jefferson has my vote. I have never agreed with Jefferson once. We have fought on like seventy-five different fronts. But when all is said and all is done, Jefferson has beliefs. Burr has none.
And, as the chorus properly responds, "OOOHHHHHHHH." And see, this may seem to be the case: INTJs hedge their bets, we keep our beliefs close, we don't talk much. We rarely take stands, because usually it's not worth the effort and we can be much more effective working quietly behind the scenes. But it's untrue. Aaron Burr believed in his family. He believed in his friends. He believed in himself. He even once believed in Hamilton. He believed in America, but he knew we had to be careful. He believed in stability and constancy. But to Hamilton--loud, opinionated, do-first-ask-questions-later Hamilton--it would appear that Burr has no beliefs to stick to.

Related image

So Burr lost the election. But he loses with grace and dignity. He congratulates Jefferson and tells him, "I look forward to our partnership." To which Jefferson responds by mocking him and throwing back in his face that Hamilton chose to endorse Jefferson, even though the two hated each other. And Burr goes, "You know what? You're right."

Dear Alexander:
I am slow to anger, but I toe the line, as I reckon with the effects of your life on mine. I look back on where I failed, and in every place I checked, the only common thread has been your disrespect. Now you call me “amoral,” a “dangerous disgrace"--if you’ve got something to say, name a time and place, face to face.
I have the honor to be your obedient servant,A. Burr
It's calm, it's collected, it's pure ice. See, that's another thing about INTJs. When we get angry, we get quiet(er). It's not so much "I'm angry with you" as "You're dead to me." But Burr gives Hamilton a chance here. He goes, "You've effectively ruined my life, but let's fight it out. What's your reasoning?" Hamilton proceeds to be Hamilton, and Burr responds: "Careful how you proceed, good man. Intemperate, indeed, good man." Hamilton is quickly losing any and all chances to defend his actions. And then he loses them all. "Then stand, Alexander. Weehawken. Dawn. Guns drawn."

Burr has been pushed too far. He has reached the limits of quiet forbearance, and he makes a rash decision. Hamilton dies.



And Burr is struck with instant regret. Then that regret grows.

Now I'm the villain in your history. I was too young and blind to see. I should have known that the world was wide enough for both Hamilton and me.
That's generally what happens when INTJs make snap decisions. Even if those decisions turn out for the best (not that this one necessarily did), we regret them. We regret not taking the time to think it through. We regret not having the satisfaction that comes with a job well done. We don't particularly like the feeling of a lucky break, because it's not the feeling of personal satisfaction. A snap decision doesn't come from us, it's not something we can really take credit for, good or bad. But we will feel guilt. And we will feel regret. And, depending on the action, our new purpose in life could be to atone for whatever it was we did. "I should have known" becomes our rallying cry.

Alexander Hamilton, the ENTP, was best equipped to drive Aaron Burr to madness. He knew what buttons to push, and, even more than that, he knew how to be better. He knew how to win the game. He succeeded where Aaron Burr failed. Pride went against pride, and no one won.


So, all this to say, if you start to engage an INTJ in the chess game of life, talk it out before it comes to a life-or-death situation. If Alexander Hamilton and Aaron Burr had set their egos aside for a few hours and talked out their issues with each other, I don't think things would have escalated quite as quickly or as badly. INTJs have the rules of the universe in their heads, and everything is organized and planned. ENTPs are all about breaking the rules, barging forward without a plan. Together, the two can spur each other to greatness. But pitted against each other, well, one of them ends up dead. And it's not the INTJ.

Thursday, September 22, 2016

Meet Cute: Non-Stop Dreamers

Have you ever wondered what would happen if two of your favorite characters met? Would they get along fabulously? Would they immediately despise each other? Would they fall in love and live happily for the rest of eternity?

Enter Meet Cute.


I was watching Tangled the other day, after listening to Hamilton on my way home from work, and it struck me--what if Rapunzel and Alexander Hamilton were to meet? I imagine it would go something like this:

     Rapunzel: Hi, I’m Rapunzel! Who are you?
     Hamilton: My name is Alexander Hamilton. It’s a pleasure to meet you. There’s a million things I      haven’t done.
     Rapunzel: Oh my gosh! Same!
     Both: But just you wait.
     *meaningful look and slow motion fist bump*

Seriously, though. Can you imagine it? They’re both idealistic and ambitious dreamers who grew up pretty friendless. They’d see each other and sense a kindred spirit. And then they’d be fast friends for the rest of their lives.

(source)
They wouldn’t fall in love, of course. They’re way too similar for that. Eliza and Flynn are definitely, 100% needed to keep them both grounded, lest their dreaming gets too out of hand and they’re both found building a rickety treehouse near the beach at four in the morning so that they could see the stars better. (Can you imagine their faces when they're found, hammer in hand?)

Except instead of a shirtless hunk, it's Eliza Hamilton. (source)
But together the four of them would have lovely picnics and adventures, and Flynn would regale them all with his heroic tales, and then Alex would spontaneously make up poems about Eliza and Rapunzel being badasses while Flynn keeps trying to add bandits and dragons until Alex punches him for interrupting. It’d be grand.

#noregrets #notevenone
Together, there would be nothing that Alexander Hamilton and Rapunzel couldn’t accomplish. They wouldn’t let anything (or anyone) stop them. Ever. She’s able to get along with anyone she meets, and he’s got the unwavering drive for success, so they would balance each other out in any and every scheme.

Whether they’re in America...

     Rapunzel: Who’s that? *points to those loyal to the King*
     Hamilton: They don’t like me.
     Rapunzel: Who’s that? *points to Jefferson and Madison*
     Hamilton: They don’t like me either.
     Rapunzel: Who’s that?? *points to the entirety of the Constitutional Convention*
     Hamilton: Let’s just assume, for the moment, that everyone here doesn’t like me.

(source)
...or running around the woods in the kingdom of Corona…

     Hamilton: Come on! It's a great idea!
     Rapunzel: I don’t know.
     Rapunzel: We could.
     Rapunzel: Maybe.
     Rapunzel: But we probably shouldn’t.
     Rapunzel: What could really happen?
     Rapunzel: It’s not a good idea.
     Rapunzel: It’s not a bad idea.
     Hamilton: If you stand for nothing, girl, what’ll you fall for?


(source)
...they would complement each other in all the best ways, egging each other on until they were both successful at whatever they had set their minds to that day.

And plus they would just sing duets about all their adventures. That would be seriously the best movie ever. Somebody make it happen. Please.

What kind of shenanigans do you think
these two would get up to?
Let me know in the comments!

Thursday, August 11, 2016

Why, If You Loved Hamilton, You'll Love Lin-Manuel Miranda's In the Heights

If an Orphan in New York city refuses to throw away his shot and Lin-Manuel Miranda doesn't write a musical about it-- did it really happen at all?


Lin-Manuel Miranda's award winning Broadway phenomenon Hamilton captivated audiences everywhere and ruined my life, but did you know that there is another musical that can revive your broken musical theatre soul just to trash it all over again?! Well, good news! It's Lin-Manuel Miranda's other award winning musical In the Heights! The musical follows Usnavi, a first generation American from the Dominican Republic, and the immigrant community of New York's own Washington Heights. I've been listening to this musical a lot this past few months, and it has quickly soared to one of my all-time Broadway favorites. As Joshua Henry, Jonathan Kirkland, and Mandy Gonzales join Lin-Manuel Miranda and Christopher Jackson as In the Heights alums to appear in Hamilton, I thought I'd take a look at some other similarities between the two shows (beside the fact that Lin is striking basically the SAME POSE in both playbills I mean come on dude be a little more obvious).

You: But Molly! If I liked a historical musical about the Revolutionary War, why would I like a completely different musical about a completely different time period, even if it is by the same guy?
Me: Ah! I'm so very glad you asked at such a convenient time to help me transition my article!

Of course, the first thing you notice is the setting. Both of them are in New York during periods of huge transitions. Hamilton is set during the revolutionary war, and In The Heights is a lot more modern, set in the NYC neighborhood Washington Heights. Back in 1999, when Lin first wrote it, it was supposed to be present day, so it was smack in the middle of the computer age and all of the changes modern technology brought about. They especially highlight how that technology missed the poorer communities and brought huge stratification within the school systems while rich kids got computers and the poorer immigrant neighborhoods couldn't even afford books (see '96, '00).

Next, we take a look at the main protagonists (Featuring Lin who played both of them in the original casting-- and who strikes the exact same pose in each of these pictures).





Alexander Hamilton and Usnavi are both orphan immigrants from the Caribbean who start out with nothing and through persistence and hard work they rise up (pun intended). Usnavi is the son of two immigrants from the Dominican republic who died after reaching the states when he was very young. Alexander is an immigrant from Saint Kitts whose mother died when he was very young. Both communities rally around the protagonists to help raise them to succeed at a young age; with Hamilton receiving the funds to come to America from his community, and Usnavi being a staple in the community and working with them like a family. They both have big dreams, and wonderful leading ladies to give them a kick in the tukus when they really need it.

This brings me to my favorite musical theatre feature of all time: strong leading ladies! God, I love these strong female protagonists. We know Angelica, Eliza (and Peggy) from Hamilton, and now we have Nina and Vanessa in In the Heights. Nina and Vanessa come from different socioeconomic statuses and different homes. Nina's family is particularly well off for the neighborhood of Washington Heights, and her parents have a healthy relationship and send her off to Stanford on a scholarship to pursue higher education. Vanessa is not as well off, lives with an abusive mother, and is struggling to save up to get to downtown NYC where she believes things will be better. I love these ladies because, even though there are romantic subplots, they have motives other than romance, and neither one of them give up on their dreams or change their lives because of boys. Go girls!

Here's another cool part, and the last thing I want to highlight (so I don't give away the whole musical): a couple of the lyrics from In the Heights appear very similar to those in Hamilton. You can see either Usnavi or Alexander saying these things interchangeably and some of the lyrics are nearly identical.

"It's all about the legacy they left with me it's destiny." ('In the Heights' : In the Heights)
"Legacy: What is a Legacy?" ('The World Was Wide Enough' : Hamilton)
"I 'm tellin' your story." ('Finale' : In the Heights)
"While she's alive we tell your story" ('Who Lives Who Dies Who Tells Your Story' : Hamilton)

Have you seen these award winning favorites? What did you think about these similarities?

Tuesday, July 12, 2016

A Letter of Appreciation to the Stars of Hamilton


Dear Lin-Manuel Miranda,

I'm still not exactly clear on how you wrote Hamilton (a musical that has influenced my life and countless others' lives), but I do know that it is a masterpiece. You have changed the way we think about life and the theatre, and my gratefulness for this knows no bounds. You have taken history and made it light up in the world's understanding. (As a history nerd, THANK YOU SO MUCH.)

Thank you for the way you have written Hamilton to be about everything in life -- whether that is love, or conflict, or things that really just appeal to my sense of humor. People really are the same throughout the ages, and thank you for reminding us that people that have long been dead were nothing more than human. They have flaws and faults and sins, just like we do. But they also have virtues and have done marvelous things, just like we have.

Thank you for the complex way you write characters. I am in constant awe of how simple it is to understand their motivations and yet how difficult at the same time. I catch something new every time I listen to Hamilton and that is good storytelling. Good stories have influenced nearly my whole life, and Hamilton quickly became a new favorite.

Thank you for the motivation that "My Shot" has given me over the last months. It has reminded me that only hard work will permit us to achieve our goals. On the days I feel like quitting, it has given me a shove of self-motivation. As an artist, I'm sure you have felt that feeling of utter tiredness of what you love. It's these moments that "My Shot" has helped me through.

Thank you for giving us all a gift,

Amanda



Dear Phillipa Soo,

Thank you for your grace-filled performances of Eliza. You have filled me with a thankfulness I cannot describe for bringing to life a woman that I can relate to on a deep level. You have struck a chord with me in Eliza's paradoxical mix of fierceness and gentleness. I wish I knew how you manage to portray Eliza's emotional layers. If I knew, I would have far more skill than I currently possess.

You have reminded me that there is a place for soft-hearted girls out there in the world -- and the women who have the most compassion and love in their hearts are often the strongest. It's so refreshing to find characters that I connect to, and I cannot thank you enough for bringing Eliza to life. Eliza's enthusiasm and love is inspiring for me, and her gentleness is humbling.

Thank you for giving us your all every day in your performances. You have inspired me to work hard to accomplish what I want to in life, and you have reminded me to work hard at my art. Just from listening to you sing, I can tell that you love what you do, and I hope that is something that comes across when people meet me in the future as well.

Thank you again, from the bottom of my heart,

Amanda


Dear Leslie Odom Jr.,

Thank you for your sensitive and deep portrayal of one of the most infamous men in American history. Throughout your performance, I learned who Aaron Burr was, where he went wrong, and how fundamentally different from Alexander he was. He had flaws, but so did Alexander. Neither of them were even close to perfect, and I think that's what makes this story so fascinating and real.

Thank you for giving us one of the most beautiful vocal performances I've ever heard. "Dear Theodosia" especially has touched me (even though I'm not a parent), because it helps me understand what love is truly about -- putting the other person before yourself. There are so many truths in your performance and that means so much to me.

Thank you for pouring all of yourself into this role. We see everything in Aaron Burr -- his hesitancy, his ambition, his intelligence. That's why it hurts so much. Through you, we can see his ambition taking a hold of him and dragging him down to a place he will never fully recover from. We can empathize with a man who shot Hamilton, a character that we love.

Thank you for helping us to understand a man who is so often misunderstood,

Amanda

Saturday, July 9, 2016

Who Are the New Stars of Hamilton?


It's no secret that Hamilton has become a pop culture phenomenon. As of this summer, lots of changes are happening to the Broadway production as the original cast members depart for other projects. Tonight is the last performance that Lin-Manuel Miranda, Leslie Odom Jr., and Phillipa Soo will perform together.

L-R: Leslie Odom Jr., Phillipa Soo, Lin-Manuel Miranda, and Christopher Jackson, who will hopefully not be leaving anytime soon. (I'm not crying, you're crying.)
Losing so many members of the original cast at once is heartbreaking, and at first I was skeptical about their replacements. However, I believe the new cast members are full of promise and will bring their own exciting, unique take on the historical characters we've come to love.


Javier Muñoz will be taking over for Lin-Manuel Miranda in the role of Alexander Hamilton. He's no stranger to the role or to Miranda himself. He took over the role of Usnavi in In the Heights for Miranda (who wrote and starred in the leading role of In the Heights as well).

Javier Munoz as Usnavi
In addition to that, Muñoz played John Laurens/Philip in the Off-Broadway version of Hamilton way back in 2013. Last but certainly not least, Muñoz has been substituting for Lin as Alexander Hamilton since 2015. As a familiar face who knows the heart and soul of Hamilton, Muñoz is a perfect fit to take over the role of our ten dollar founding father.


Lexi Lawson is set to take over as Elizabeth Schuyler Hamilton. She too has associations with Miranda since she played the love interest, Vanessa, in the tour version of In the Heights. Before that, she toured as Mimi in Rent. Though she's not as familiar with Hamilton as Muñoz and not as seasoned as Aaron Burr's replacement, Lawson doesn't seem like a bad choice for Eliza. Her voice is strong, and I look forward to seeing how the role of Eliza grows and changes with her.


(source)

Brandon Victor Dixon, who will be taking over the role of Aaron Burr, is truly a seasoned Broadway professional. He's been a part of the original cast of The Color Purple and Motown: The Musical. He was nominated for a Tony for his role as Harpo in The Color Purple. He's no stranger to Broadway, and he's good at it. His demeanor and voice both seem perfect for Aaron Burr (sir), and he's got plenty of experience to assume the role.


Michael Luwoye will be Munoz's alternate, performing once a week. Before being cast in Hamilton, he played the leading role in the Off-Broadway production of Invisible Thread, which he won a Lucille Lortel award for. While still a relatively new Broadway name, playing the lead role in Hamilton will definitely be an impressive addition to Luwoye's resume. I'd personally love to see his take on Alexander Hamilton.


So, now you know a little bit more about the newest stars of Hamilton. While change is difficult, especially with how lovable Hamilton's original cast has been, it's time for Hamilton to begin another chapter, and I can't wait to see how these new faces tell the story.

"Raise a glass to the four of us, tomorrow there'll be more of us..."

Thank you, Lin-Manuel Miranda, Phillipa Soo, and Leslie Odom Jr. Your performances have meant the world to us, and we will miss you so much.

What do you think of Hamilton's new cast members?

Tuesday, June 21, 2016

Tony Highlights: Who Won, Who Lost, and What Happened There

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The Tony Awards happened last Sunday night, and as expected, they were full of glitz, glamour, music, and lots of happy crying.

As a sort of pre-opening to the opening number, the cast of Hamilton presented a special parody of their song "Alexander Hamilton" dedicated to host James Corden. As expected, Hamilton took home many of the awards, a whopping eleven, but more on that later.


I also enjoyed most of the actual opening number, which features Corden taking on many of theatre's most famous roles in mere moments. 


For the most part, the show went about how I expected it to. I thought The Color Purple would win Best Revival of a Musical, which it did. Although I've never seen the show, the cast presented an explosive medley of performances. The girl who sings last, Cynthia Erivo, took home the Tony for Leading Actress in a Musical, and I can see why. Her pipes are golden. 


One big highlight for me was to see the cast of School of Rock perform, though the show didn't win any awards. As star Alex Brightman says in the performance, "We aren't here to win, we're here to rock." They certainly do that. The most impressive thing to me about this performance is that all the children are playing real instruments and doing just as well or better than many adults. Now that's cool. 


As I mentioned, Hamilton won big, but for all the awards they were given and all the speeches made, my absolute favorite was spoken by RenĂ©e Elise Goldsberry, who won Best Featured Actress in a musical for her performance as Schuyler Sister Angelica. I found her speech to be beautiful and inspiring. 


Leslie Odom Jr. also won Leading Actor in a Musical for Aaron Burr in Hamilton. I enjoyed his speech as well.

 

Speaking of Hamilton, the show also took home awards for Best Original Score and Best Musical, among others. Here is the performance from Hamilton with most of the cast. 


The Tony's were pretty awesome. I also recommend checking out performances from Waitress, She Loves Me, and more. Here is a full list of winners. 

 Did you watch the Tony's? What was your favorite performance or moment?

Tuesday, June 7, 2016

Path to the Tonys: Best Musical Nominees


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A while ago I did a post on musicals that were eligible for Tony nomination. A few weeks ago the actual nominations came out, and today we're going to take a look at the nominees for Best Musical!

Bright Star


Bright Star is a musical taking place in North Carolina. Two plotlines revolve throughout the story. One involves a young aspiring writer and the literary magazine editor he hopes will publish his story, the other shows the editor as a young girl and her various struggles. The music is heavily influenced by bluegrass. Actress Carmen Cusack was also nominated for Best Actress for her portrayal of the editor. 

Hamilton


  If you haven't heard about Hamilton by now I'd be surprised. Telling the story of founding father Alexander Hamilton with music of various styles, including rap and hip-hop, with a few ballad numbers for the theatre purists? It's no wonder this show has broken the record with sixteen Tony nominations. Many fans are expecting a sweep but I'm keeping my eye on the underdogs. We'll see what happens. 

School of Rock


Based on the film of the same name, School of Rock is an obviously rock influenced musical about a slothful man who turns a group of school children into a band. Along with a best musical nomination, the lead actor, Alex Brightman, was also nominated for best actor.

Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed


  I'm unfamiliar with this one, though it was nominated for ten awards. Shuffle Along is actually about the creation of a real revue called Shuffle Along that took place in 1921. You could say it is the story of a show within a show. It stars Audra McDonald and Brian Stokes Mitchell, both from the original cast of Ragtime, so I can see why it could be popular. Keep an eye on this one. 

Waitress


  Another one that's been picking up in popularity recently is Waitress, a musical based on a film of the same title. Waitress follows a pregnant woman in an unhappy marriage who has to find her way. I've heard great things about this one, though I still need to give the recently released cast album a listen. The actress playing the titular waitress, Jessie Mueller, was also nominated for Best Actress. The show also garnered some other nominations. 

So there you have it. The Tony Awards air on June 12. Are you planning on watching? Which of these musicals appeals to you the most? 

Tuesday, May 31, 2016

Hamilton: Myers-Briggs Personality Types


There are moments in the fandom life when you love the characters of a certain fandom so much that you just have to find out their Myers-Briggs types. For my friend Aimee and I, that time has come. Without further ado, here are the personality types of every character from Hamilton.

Alexander Hamilton: ENTP


Amanda: The thing that really convinced me that Hamilton is an ENTP is the endless stream of ideas and words that just seem to pour forth from his mouth. In “My Shot,” Hamilton tells us his hopes and fears for life in a 5 minute span, and his brain is running so fast that he’s spitting out his thoughts as fast as he can think them. It’s truly extraordinary.

Aimee: I would definitely agree! From the moment Hamilton takes the stage he’s brimming with energy and passion and new ideas; he fixates on what he wants, and he works until he gets it. He has an incredibly sharp mind that’s always moving on to the next new thing and the potential to be slightly reckless about it, something that’s so very ENTP. His passion for getting into the thick of things and starting fights rather than backing down is pretty ENTP, too.

I'm past patiently waitin'. I'm passionately smashin' every expectation, every action's an act of creation! I'm laughin' in the face of casualties and sorrow. For the first time, I'm thinkin' past tomorrow!

Aaron Burr: INTJ


(source)

Amanda: Aaron Burr is a tricky person to type. On the one hand, he’s clearly as intelligent as Hamilton, and yet he tends to hold his cards until he really needs them. He’s not impulsive, and most of the time, he’s extraordinarily cool-headed.

Aimee: Again, I’m going to agree with Amanda on this one. Burr takes things far more personally than Hamilton, but I don’t think that makes him any less of a Thinker; it all seems to be related directly to his pride and Hamilton’s insults upon his intelligence and capabilities. Burr is more than ready to point out the stupidity of acting too fast and would rather sit back and observe than leap without looking. He keeps everything about himself locked up tightly, and it’s only when Hamilton pushes too many buttons at once that he explodes. 

Talk less. Smile more. Don't let them know what you're against or what you're for. 

Eliza Schuyler Hamilton: INFP


Amanda: Maybe the fact that I relate to Eliza so much is why I think she’s an INFP. But I think it’s more than that. Above all, Eliza is steadfast and loyal and loving, and she prefers to stay behind the scenes. However, this in no way diminishes her natural strength and intelligence. She’s an extraordinary woman and one that I strive to be more like.

Aimee: Eliza is such a humble, sweet person, and an incredible woman. While she prefers to stay in the background, she works tirelessly for her passions. She loves and respects those around her but by no means allows herself to be pushed around (“Burn” is an excellent example of this). She is, however, incredibly intelligent, and sees the world in a unique and beautiful light. 

Oh, let me be a part of the narrative! In the story they will write someday. Let this moment be the first chapter: where you decide to stay.
Angelica Schuyler Church: ENTJ


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Amanda: Angelica, too, has the intense intelligence that nearly every character in this musical possesses. She’s an extrovert because she clearly loves the spotlight and she gives no indication that it tires her, but she also has the foresight and caution that Aaron Burr possesses. She can read a situation in a second and come up with a conclusion.

Aimee: Angelica is truly ill-suited for the era she was born into. She’s a woman of action, a debater, a leader, always ready to challenge the current way of thinking. She is, in fact, the only female character in the musical to rap; when she does, she more than matches her male counterparts in speed and lyrical skill. Angelica’s mind is a sharp, able one, and she’s quick to see problems and solutions and work through a situation logically.

I've been reading Common Sense by Thomas Paine. So men say that I'm intense or I'm insane. You want a revolution, I want a revelation! So listen to my declaration: "We hold these truths to be self-evident that all men are created equal." And when I meet Thomas Jefferson, I'm 'a compel him to include women in the sequel!
Hercules Mulligan: ESTP



Amanda: Mulligan uses his senses and the external world to come up with solutions to living. He’s spontaneous, always willing to be in the spotlight or come up with something funny. He’s clearly eccentric, and he knows it. One thing I love about him is that he cares very deeply, which is often absent from fictional portrayals of Thinker types. He may make decisions based on logic, but that doesn’t mean he doesn’t have feelings.

Aimee: As an ESTP myself, I can’t help but be delighted by Mulligan. He belongs in the spotlight, he knows it, and he’s cleverer than he looks; while he may not match Hamilton or Burr in their philosophical thoughts, he’s a cunning problem-solver and strategist in the field. Mulligan is loyal to his friends and brings the energy wherever he goes, throwing himself wholeheartedly into whatever he’s set his mind on. 

I'm joining the rebellion 'cuz I know it's my chance to socially advance, instead of sewing some pants!
George Washington: ISTJ


Amanda: Washington is one of my favorite characters in this musical. He has integrity and the desire to lead wisely. He takes life and important decisions seriously, and that’s something that I love to see in characters. But in the end, when he can let something important go, he lets it fly in the wind (as seen in “One Last Time”).

Aimee: I agree, Washington is a fascinating character. Historically and in the musical he can come across as cold or closed-off; he takes his duties and authority very seriously. In reality, Washington is obviously very attached to his cause and the people around him and devotes himself to protecting them and creating a country based on strong values. Washington’s values are important to him and he sticks by them no matter what.
Any hope of success is fleeting. How can I keep leading when the people I'm leading keep retreating?
Marquis de Lafayette: ENFJ//ENFP


Amanda: Lafayette is one of the most lovable characters in the show. He’s sweet and resilient and he strongly cares for the people around him. He’s also very extroverted and this shows in his interactions with the other characters. He has an almost endless amount of energy (which is especially obvious in “Guns and Ships”) and he’s never afraid to speak his mind.

Aimee: LAFAYETTE! Lafayette never fails to bring the excitement. From the very beginning he’s more than willing to throw himself headfirst into the war and fight with his friends. He cares deeply about those around him and acts accordingly, as shown by his willingness to fight with America. I would venture to say, though, that he’s more of a Perceiver in my mind — he seems to prefer to go with the flow and adapt to situations as he goes along, rather than planning ahead or worrying about the future. He’s super chill. 

I dream of life without a monarchy. The unrest in France will lead to 'onarchy? 'Onarchy, how you say, how you say, 'anarchy'? When I fight, I make the other side panicky with my shot!
John Laurens: ENFP


Amanda: Laurens is a passionate activist. He deeply believes that slavery is wrong, and he’s doing everything in his power to eradicate it. He’s also an extrovert (most clearly shown in “The Story of Tonight”), and he has a powerful and deep connection with his small group of friends. He’s the type of person who goes through life collecting ideas and making connections.

Aimee: Laurens is an absolute cinnamon roll. He’s always by his friends’ side, no matter what the cost. He never hesitates to jump into a situation that might endanger him for the sake of what he believes — it’s this trait that leads to tragic events later. He’s quick to make connections, and his caring goes deep.

Rise up! When you're living on your knees, you rise up. Tell your brother that he's gotta rise up. Tell your sister that she's gotta rise up! When are these colonies gonna rise up?
Thomas Jefferson: ESFJ//ESTJ


Amanda: Thomas Jefferson was another difficult character to type, and Aimee and I disagreed on his type. However, the reason I think he’s an F over a T is because he makes emotional appeals. His desire to help France was based on his emotional attachments to the country and Lafayette. While he does have a certain logic to his decisions, most of his political policies are of an emotional nature. He's not a classic ESFJ by any means, and he does have a strong Thinking side to him, but I think he tips just a little more on the Feeling side.

Aimee: Oh, Jefferson. He’s a showman at heart — from the very first appearance (“What’d I Miss”) onward he steals the show. Jefferson has loud, firm opinions and he sticks to them. Unlike headstrong Hamilton, Jefferson knows how to work the crowd and pick his battles. I believe he’s more of a Thinker due to the way he approaches situations; rather than allowing his emotions and frustrations to lead his fights against Hamilton and others, he cunningly digs into what he knows about them, picks his battles, and manipulates the situation to his liking while staying calm. He has a tendency to shove his true feelings about subjects aside in order to win.

I have my first cabinet meeting today! I guess I better think of something to say. I’m already on my way, let’s get to the bottom of this…

James Madison: INFJ


Amanda: Madison is one of my favorite characters. He’s quiet, but he’s got a certain charm that permeates the room whenever he sings. In some ways, he’s more of a follower than a leader, but that doesn’t diminish his very real role in the musical. He likes the traditions of his home (the South), and he doesn’t feel the need to change them. Even if he was a major part of the new government, his way of life is extremely important to him.

Aimee: I can absolutely see Madison as the INFJ voice of reason. He would rather listen than lead, but he works tirelessly behind the scenes to aid in some of the more important documents that found the nation. His later conflicts with Hamilton mainly stem from Hamilton’s conflict with Jefferson, one of Madison’s closest friends. He values tradition and personal connections almost more than anything else.
France.
Philip Hamilton: ENFP//ESFP


Amanda: Philip has the youthful joyfulness that all ENFPs seem to possess -- whether they’re young or not. They see so many possibilities just around the corner and they act on these wonderful possibilities. In Philip’s case, this may make him more than just a bit reckless, but he has a heart that cares deeply for the people around him.

Aimee: I can’t decide if I see Phillip as more of an ESFP or an ENFP yet, but he has the potential to be either. He gets most of his energy from interacting positively with the people he cares about; his idolization of his father drives most of his actions. Even if Phillip can be reckless, he never means any serious harm. He’s always moving to the next possibility or idea.

I'm only nineteen but my mind is older. Gotta be my own man, like my father, but bolder!

King George: ESFP


Amanda: How could King George be anything other than an ESFP? He’s got the goofiness and imagination of one. He’s wonderfully eccentric (maybe a bit too eccentric, he does threaten a lot of… things similar to murder), and he makes us laugh. It’s wonderful.

Aimee: Yeah, I think ESFP is a pretty safe bet. Our dear K.G. has a wild mind full of wild ideas, and he doesn’t hesitate to use them. He’s constantly flippant and not exactly careful with his words, but even when he’s threatening death upon the colonies, he does so in a way that’s fresh and entertaining.

'Cuz when push comes to shove... I will kill your friends and family to remind you of my love!

Do you share a type with any of the characters? Do you disagree on any types? Let us know in the comments!

About Aimee Meester


Aimee Meester is a writer, reader, fangirl, and procrastinator. She specializes in ultra-weird sci-fi of all kinds and probably has her nose in a book if you can find her. On the weekend she enjoys binge-writing — also known as binge-watching Star Trek instead of writing like she should be doing. You can find her at her blog, To The Barricade! where she talks like she knows what she’s doing, or on Twitter.