Showing posts with label Once Upon A Time. Show all posts
Showing posts with label Once Upon A Time. Show all posts

Friday, March 16, 2018

Confessions Of A Villain-Lover: Why Villains Are The Best



They cringe. They stare. They judge. “Are you sure?” they ask. Yes, I’m sure. I love that character the best. I am a villain-lover. And because I am sure I’m not the only one who has been called to the defense of these fantastic (if not exactly ‘good’) characters, here are a few reasons villains are the best

1. It’s about the POV

Often, the villain is the hero of the story in his or her own point of view. We only see them in an antagonistic light because we are viewing the story from the hero’s point of view. Take Erik Lehnsherr (AKA: Magneto) for example; he is motivated by his desire to protect mutant kind from the horrors non-mutant humans have unleashed on them. In his point of view, he is the hero.
 
Erik sees himself as a hero
2. Relatability is key

It’s more interesting to watch a character struggle with right and wrong rather than to watch a character who easily chooses right. We want to see characters that we – flawed, mixed-moraled human beings – can relate to. For example, watching Regina (AKA: the Evil Queen) struggle with her desires for vengeance and power on Once Upon a Time is far more entertaining than watching Charming save the day.

Regina is relatable

3. They have vision

(..and ambition and brains)

Villains are often working to bring about change, whether on a global or a local scale. They have a vision. Whereas the hero (generally speaking) is only working to prevent this vision from becoming reality. The hero is against change and has no vision of his or her own. For example, in the Avengers film, Loki envisioned a better world for the mortals of Earth under his rule, while Thor was only concerned with making sure that world never existed.

Loki has a vision
4. They are having fun

The villain revels in being who they are. They are free from the restraints of the law and social acceptability. They are enjoying life. And dang it, that is fun to watch. Look at the Joker, for example – he seems to enjoy life more than the perpetually scowling Batman does.

 
The Joker is having fun
All that being said, loving the villains does not mean we necessarily condone their actions. We simply love their relatable, ambitious, fun selves. And there is nothing wrong with that.

Are you a fellow villain-lover? Who is your favorite villain?

Saturday, March 11, 2017

Tales That Have Disney Potential


Disney has a long history of taking traditional stories and making them their own. Though they’ve adapted a fair amount of fairy tales and folklore, they still have quite a few they've yet to cover. I've included my suggestions below.

Rumpelstiltskin

I'm hoping that since Once Upon a Time (a show on ABC, a studio owned by Disney) featured Rumpelstiltskin and gave him a major role, Disney will soon produce a full length film about such a curious character. Besides, it would be amazing to see the Disney animators create a room full of glimmering gold.



And wouldn't it be interesting to see how Disney handles the darker aspects of this bizarre fairy tale? How would they include the main character promising her first born or Rumpelstiltskin throwing himself into a rage that results in plummeting to his death? Okay, wait, they did Hunchback of Notre Dame, so they can definitely tackle this tale.

The Twelve Dancing Princesses


Speaking of animating a beautiful movie, wouldn’t the Twelve Dancing Princesses just be gorgeous? First of all, the princesses must make their way through a series of groves. The first set of trees are shimmering in silver, the next are glinting in gold, and the last are sparkling in diamonds. After the princesses (who are all decked in dazzling dresses) make their way through these enchanted trees, they arrive at a magical palace!


There’s even one version of the story which says that the soldier who follows the princesses into the woods has an invisible cloak. I’m just saying, Disney should take full advantage of these ideas. Besides, it would be nice to see how they animate all those princesses and give them each a unique personality.

Tales From Places Other Than Europe

Disney should also dip into the endless supply of Hindu tales, like the epics of Mahabharata and Ramayana. Hinduism has countless tales about their gods, not to mention stories about their various heroes and fantastical creatures. Disney just did Moana (which is heavily influenced by a Polynesian myth), who’s to say they won’t look to India next?


Disney can also draw from West Asian tales like 1001 Nights. And there are many interesting Persian myths, which include themes that center on good versus evil, a concept that Disney is quite familiar with. Not to mention that there's a plethora of mythical beasts present throughout these stories.


Disney should also consider stories from Asia in general. We have Mulan, but why not draw from China more? Plus, tales about Chinese dragons are always awesome. Also, Japanese mythology is saturated with appreciation for nature and is sure to spark many creative and awe-inspiring movie ideas. Disney would greatly benefit from tapping into other countries' traditional tales because it would introduce a lot of culture to children in the United States.

East of the Sun and West of the Moon 

Part of me YEARNS for this one to happen, but another part of me DREADS it. This is because East of the Sun and West of the Moon is my favorite fairy tale! Though this tale is similar to Beauty and the Beast, which has already been done, it has some major differences!


About halfway through the story, the female lead finds out that the polar bear, who has taken her away, isn't a bear at all but a human prince that’s been cursed by a troll queen. The prince is kidnapped, and the girl is his only hope, so she sets out on a quest to rescue him. The main character is a wonderful role model to many young women, to anyone really, and proves that you don’t always need strength to become a hero. Sometimes, you just need a clever mind and a little help from friends.


Disney is already planning on making movies that draw from Jack in the Beanstalk (the movie Gigantic), the Mexican holiday Día de los Muertos (the movie Coco), and even some of their own movies (the live action Beauty and the Beast). But here’s hoping they draw from even more folklore soon. 

Is there a story you wish Disney would make into an animated film?

Thursday, October 6, 2016

I Won't Say I'm in Love: A Megara Appreciation Post


Having recently finished binge-watching the latest season of Once Upon a Time--crying and laughing and trying not to think too hard about the plot--I was struck by one thing: their treatment of Megara was downright appalling.

Megara is a lovely, sassy desert flower and should be respected in all iterations. They turned her into a mewling, quivering damsel who gets saved by not one, but three heroes. Ugh.


So, in order to attempt to undo some of the damage Disney did to its own character, here is a list of reasons why Meg should always be loved and appreciated.

1. Sass.

Meg is the ultimate sassmaster.


She doesn’t take anybody’s nonsense, she takes care of herself, and she does it all with a heaping helping of good old-fashioned sass. Which is all just intensified due to her proximity to the literally flaming Hades and the posse of sassy background singers. It’s magical.

2. She cares deeply for people.

She ended up in service to Hades because she traded her soul to bring someone she loved back from the dead. He betrayed her--like, big time--and yet she still came to care for Hercules. I’d bet she even has a teeny-tiny soft spot for Hades. That amount of time spent with someone will do that to you. Just ask Belle.


3. She’s tough.

She tries to fight the centaur alone, even after being offered help. She stands up to Hades. She holds her own over and over and over again. She doesn’t need nobody’s help, and gosh darn it she’s going to prove it. And she does, too.



4. She's independent. (And has a rockin' singing voice.)

All the other Disney princesses are over here with their huge romantic, heart-sighing, prince-dancing songs, telling little girls everywhere that they’ll only be happy once they have a perfect man and the perfect hair to go with it. Seriously, though. Snow White: “Someday My Prince Will Come.” Sleeping Beauty: “Once Upon a Dream.” Cinderella: “So This Is Love.” Even Rapunzel, the modern-day, adventurous, bordering-on-feminist princess, falls prey to this with “I See the Light.” But then there’s Meg.


I won’t say I’m in love. It’s upbeat, it’s sassy, and it’s fiercely independent. And even though she does fall in love, she does it very much on her own terms.

So you go, Meg. Keep that sass going strong, despite what Once Upon a Time tried to do to you.


What other Disney heroines kick butt and take names?

Friday, June 3, 2016

My Top Eight Once Upon A Time Plot Twists


For five seasons, Once Upon A Time has featured many twists on familiar stories—some refreshing and fun and others...well, not so much. Lately, I've been rewatching the first and second seasons and contemplating some of the things I loved most about them. In the spirit of nostalgia, I'll be talking about eight of my favorite plot twists (in no particular order) from the first three seasons.

* * Spoilers ahead! * *

1.) The Dark Curse was created by Rumpelstiltskin to find his son.
Every season the characters are up against some curse or another, but the one that started it all is the Dark Curse, which took away the happy endings of so many characters by removing them from their lands, taking away their memories, and trapping them in  Storybrooke, Maine.

As the story unfolded, it was revealed that Regina got the curse from Rumpelstiltskin, who had created it for the purpose of reuniting with the son he had abandoned.

2.) August W. Booth is Pinnochio.

Watching season one, it was easy to want August to really be Rumpelstiltskin's son, Baelfire. And for a while, that seemed to be the most likely case. But in the episode “The Stranger,” we find out that he is actually the son of Geppetto. This twist stands as one of my absolute favorites. I wasn't expecting it, and it was one of the most emotional storylines from the show.

3.) Rumpelstiltskin is the Beast. 

In the history of the show, one of the most recognizably “Disney”-ed episodes (and storylines) is episode 112, “Skin Deep.” This episode introduces the familiar Princess Belle and reveals that the Beast of this story is none other than the Dark One himself, Rumpelstiltskin. Lots of iconic moments and items from the Disney movie are referenced throughout this episode, which makes for some fun throwbacks.

4.) Peter Pan is Rumpelstiltskin's father.
One of the most compelling elements for season three's Neverland arc was the conflict between Peter Pan and Rumpelstiltskin. My theory was that they were brothers.

As things turned out, Pan is Rumpelstiltskin's father and abandoned him in exchange for eternal youth. Hello, parallels.

5.) Rumpelstiltskin is also the Crocodile.


Rumpelstiltskin has many connections to Neverland, but one of my favorite twists is the reveal in 205 that he is the Crocodile from Peter Pan. It was an interesting way to introduce Captain Hook and create tension between an established character and a newly-introduced one in season two.

6.) The Mad Hatter was a portal jumper.

In episode 117, “Hat Trick,” a mysterious, threatening character named Bucky Barnes Jefferson enters the scene. Turns out he's the Mad Hatter—but before he went mad after being separated from his daughter, he was a portal jumper who struck deals with Regina, Rumpelstiltskin, and Dr. Frankenstein.

7.) Baelfire is Henry's father.

This was one of my favorite theories, even before the show began to hint at this being the truth. While I personally wasn't a fan of Neal, I was a fan of Baelfire and Emma meeting each other in this world, given that the Dark Curse was focused so much around the two of them (as the purpose behind the curse and the one who could undo it).

8.) Everyone else is related to Henry too. (No, really. Everyone.)

During the first two seasons, this plot mechanism mostly added emotional depth and resonance to some of the storylines (such as the search for Baelfire and the fallout Rumpelstiltskin would face for his actions during that search). While in later seasons this plot mechanism has gotten rather comical, it worked well within the frames of the first two seasons and even into parts of season three.

What are your favorite plot twists from Once Upon A Time?

Saturday, December 12, 2015

Once Upon A Time Recap: “Swan Song” [5x11]


     Well, Dear Readers, the time has come. And by “the time,” I actually mean two things: first, it’s that time of year when shows go on hiatus for the holidays, and leave a massive cliffhanger to freak audiences out until January gets here. And second, that it’s my time to say farewell from writing these recaps for a while.

     Now, don’t panic; I’ll still be writing for The Fangirl Initiative throughout the year: it just won’t be regular recaps. Every season of a television show is different, and my life is entering a new season of its own as well. Hopefully another fan of Once Upon A Time will step up to recount the weekly episodes (and maybe, if you’re lucky, they’ll be less-picky than me about wardrobe choices, plot details, and historical accuracy). But, for old times’ sake, let’s take one last look at the winter finale of ABC’s Sunday-night fantasy drama… and never, forget, Dear Readers:


     The episode starts many years in the past, when a frightened boy in a ship’s cabin awakens in the midst of a terrible storm. A draft from above decks blows the lantern out and he calls for help — and his father comes to re-light the lantern. The man reminds his son to look inside himself whenever he feels scared, and to decide what sort of man he’ll be. The boy wants to be just like his father. Who is this boy? Killian Jones, of course!

     But the next time Killian wakes up, the lantern has gone out. The captain comes in and announces that Killian’s father is a wanted man. He rowed away in the ship’s boat because he’s being hunted… and he sold his sons into slavery in exchange for the boat.


     Back in present-day Storybooke, Captain Dark One comes to gloat over the fact that Belle actually rejected Gold. But Gold isn’t in the mood for games, and he tries to take a swipe at his enemy with Excalibur. Hook taunts him, and says that Belle made her decision because Gold always values power. But that hasn’t stopped Captain Dark One from planning to get his revenge anyway.

     Meanwhile, the Heroes march down Main Street and are joined by the dwarves on the road. Now that Emma knows what Hook’s plan is, they realize they need to hit him with everything they’ve got. Even if it means killing him. Once they split up, Regina and Robin head towards the harbor, but suddenly Zelena stands in their way. She’s decided to take sole custody of her (STILL UN-NAMED) daughter… since they’ll be dead soon. Why? Regina and Robin turn around to see—

DEMENTOR! Oh, wait...

     All over town the Dark Ones are sneaking up on Heroes and the dwarves and passing through them like ghosts! At first everyone seems to be fine afterwards, but then Mr. Gold arrives and tells them to look at their wrists. They all find what he calls the ‘mark of Charon,’ which is the name of the person who ferries the boat to the Underworld. If the Dark Ones want to stay in the world of the living, they each need a soul to exchange. When the moon reaches its peak, the ferry will arrive and drag everyone with a mark down to the Underworld. And having been to the Underworld, Gold knows two things: that it’s awful, and that there’s no hope for them to do anything but spend this time wisely and say goodbye. Cheery bloke, isn't he?


     As the Heroes split up again in search of Captain Dark One, Regina finds him on the pier and warns him not to go through with this. She tries to remind him of when she recruited him to kill her mother, but he chokes her before she can finish and warns her not to speak of that subject again.

     The touchy subject in question is some sort of test that Regina put Hook through before sending him to kill her mother. Many years ago in the Enchanted Forest, we see Hook meet the Evil Queen and agree to murder Cora in exchange for a way to reach a land without magic so that he can have a chance at revenge against Rumpelstiltskin there. But Regina warns him that Cora will exploit any weakness, so first he has to pass a test.

     Back in Storybrooke, the Charmings can’t find any way to escape this curse in a book. Snow is actually starting to give up hope that there might not be a way out. Even though she plans to leave Baby Neal with Emma, she’s still worried that they could be wasting their last moments together. Henry suggests dinner at Granny’s, and they make Emma promise to be there (which means she totally isn’t going to show up).


     When Regina finds the Savior, Emma admits that she does have a plan… but she’ll need Regina’s word, just like in Camelot, that she’ll swear to secrecy and do what has to be done to end the Darkness. Emma’s plan is still to channel the Darkness into one person and sacrifice them… but this time, it’s going to be herself.

     Down the road, Belle arrives at Gold’s shop after receiving a message from him. He gives her a potion that will allow her to cross the town line safely, and he tells her to see the world. She can tell something’s wrong, but she can also see that this is him finally being selfless, and so they say their goodbyes.


     So, let me get this straight: Hook wants revenge on Gold, but he hasn’t gone after the one person that Gold cares about? And also, how has Belle not noticed the myriad of sinister hooded figures waltzing around town? Why did not one of them target her? Why did none of the Heroes think to send her a message about it? In fact, why doesn’t this town have a mass-text-message system in place for situations like this!? “All Dark Ones resurrected at once; stay indoors; if symbol appears on wrist, you’re marked for death; join Heroes to survive.”


     After Belle leaves, Gold nearly breaks down in tears and looks down… at the mark of Charon on his own wrist.

     Moments later Regina and Emma come to him to fetch Excalibur, and they explain their plan to him. The news seems to hit him like a thunderbolt, and after vanishing into the back room, he emerges with the sword. He warns Emma that it might not work: the blade chooses who is worthy, and it chooses its miracles.


     After leaving Emma to make sure that Robin and his children are safe, Regina finds Zelena in her house and gloating over her future victory. Regina threatens her with Mickey’s wand. She couldn’t use it last time because she didn’t believe herself to be a hero, but now she is: and the wand surges with power! Regina poofs them both to the clock tower, then uses the wand to summon a green tornado and suck Zelena back to Oz! But not before the wicked witch can cry out the classic warning of a temporarily-defeated villain:


     Not far away, Emma sneaks into Granny’s and sees her family together… but she can’t bring herself to join them, so she leaves a note on the jukebox instead and sneaks away.


     Back in the Enchanted Flashback Forest, Regina brings Hook to a bar to face a certain man to prove himself. But Hook’s not supposed to fight the biggest man in the room: he’s supposed to face the bartender… who also happens to be his father.


     Killian waits until everyone in the bar is gone, then confronts Jones. Even though they were separated over a century ago, they both found a way to cheat death. Jones explains that after he sold his sons, he got caught put under a sleeping curse. However, his nurse fell in love with him, and he, hearing her voice in his sleep, fell in love with her. Eventually the curse broke with true love’s kiss. However, she died of plague a few years after they were married.

     Having lost Milah to Rumpelstiltskin years ago, Hook knows the pain of this story only too well. He admits that he came here to kill his father, but they’ve both lost too much. Everyone needs to believe that Jones is dead in order to convince the Evil Queen, but Hook can secure a letter of transit to smuggle him away in secrecy.

     However, his father requests two letters instead of one. Why? HOOK HAS A LITTLE HALF BROTHER!


     Meanwhile in Storybrooke, Captain Dark One comes to Emma’s house to try and convince her not to use Excalibur to destroy the Darkness. She thinks it’s because he cares about her, but he says it’s because he owes her for helping him on his journey to revenge. Emma warns him that she’ll fight the Darkness, even if she has to kill him. But every time she tries to strike him down, he vanishes in a puff of smoke and appears behind her! He keeps poofing back and forth until Emma whirls around and sees Henry instead of Hook. DON’T GIVE IT TO HIM, EMMA! IT’S NOT HENRY!


     She gives him the sword, but — big surprise — it was Hook in disguise.

     Down the road at Granny’s, Henry is playing with Baby Neal whose face is actually visible for once and he is totally adorable… and then Snow finds Emma’s letter on the jukebox. But they don’t have time to go after her because the Dark Ones have come. All the marks on their wrists glow, and the Heroes are summoned to the lake. (Fortunately, Robin arranged for the fairies to take care of Baby Neal as well as the Hood children.) Emma runs to her family to say goodbye, and Captain Dark One summons Charon’s ferry to come for them all!


     Regina, however, won’t give up on Hook; she asks him to remember again what he did to his father and asks what sort of man he wants to be.

     Back in the Enchanted Forest of Flashback, Hook comes to his father’s home with the letters of transit and finds his father comforting a little boy that’s nearly the same age that Killian used to be. Jones is comforting the boy the exact same way that he used to comfort his other sons. He even named the boy Liam!

     When he comes out and Hook asks about this, Jones explains he named his son as a reminder to himself never to make the same mistake. But Hook doesn’t buy it. Since his father’s words about bravery haven’t changed, his heart surely hasn’t either. He burns the letters of transit and runs his father through!


     As Jones falls to the earth, he tells Killian with his dying breath… it’s never too late to change.

     Back in Storybrooke, Emma steps forward to fight, but Nimue is powerful enough to keep the Savior from intervening. Hook watches as Emma’s choked and forced to the ground…


     …and eventually he can’t take it anymore and tells Nimue to stop.

     Nimue doesn’t think Hook has the authority to stop her… but actually, he does. He summons the power out of all the Dark Ones and sucks it into himself with Excalibur! The sword is glowing and shaking with power! Emma begs Hook not to do this, but he begs for her to help make up for everything he did. Even though they don’t want to lose each other, he needs her to let go and let him die a Hero. They kiss and swear on their love for each other.


     Then she takes the shaking sword… then runs him through and embraces him in the same stroke!



     Emma’s Darkness is sucked away, the sword disintegrates, and Hook is restored to the way he was before he became the Dark One: dying by the wound in his neck, with Emma sobbing over him.


     Later the next day, Belle rushes into Gold’s shop; Henry called her and told her everything. (Great job, Henry, Way to not warn her about the imminent danger until it’s no longer imminent). He was being truly selfless by sending her away, but she doesn’t need to see the world; she just wants to be with him!


     That night as Emma lays in her house clutching Killian’s ring, she suddenly hears whispering. She texts Gold and follows the sound… all the way to his shop! Why? BECAUSE HE HAS THE DAGGER.


     THE REAL DAGGER.


     WITH HIS NAME ON IT.


     He hadn’t suspected that Emma might hear it, but then again most ex-Dark Ones are dead. When Emma had come asking for Excalibur, he saw an opportunity and used a potion to turn the sword into a conduit before he handed it over. Hook's sacrifice was actually just channeling the Darkness back into Gold this whole time.



     Emma tries to choke him, but he freezes her; she may be the Savior, but he has the combined magic of every Dark One ever now. However, Emma demands that he do something for her since she still has magic and could possibly warn Belle before Gold can stop her. He asks what she wants.

     Not long afterwards, Emma goes to the Heroes and tells them what happened… and that she’s going to the Underworld to get Hook.


     Even though he’s dead, she remembers that her mother was able to split her own heart in two to save Charming’s life, so she’ll do the same for Hook. Gold brings her and the heroes to the pond, cuts his hand with the Dagger, and lets the blood drip into the water.

     The boat comes through the fog with Charon onboard, then Emma and… EVERYONE ELSE FROM MR. GOLD TO EVEN TEENAGED HENRY… walk across the water and step aboard!


Tune in Next March…

     …when the Heroes find a decrepit Storybrooke as the Underworld, and they come face to face with all the worst villains from their past like Cora and Maleficent and Peter Pan!!


     (Okay, so it doesn't look like Hades is going to be there, and that's a tragedy. But STILL. Did I not say last year that someone would go on a quest to rescue someone from the Underworld? I did. So that's good enough for me!)


Quote of the Episode:

     “Power is only as good as the one who wields it.”

     SAID THE MAN WHO LATER STABBED A HERO IN THE BACK FOR THAT POWER.


Current Questions:

1. Um, where were Arthur and all the Camelot-ians(?) this whole time? And Lancelot! Where is Lancelot when you need him!?

2. Why didn’t Emma split her heart and give it to Killian before he died and went to the Underworld? I get that it miiight not have worked while his neck was still injured, but… if a wound from Excalibur can never be healed, then doesn’t it stand to reason that as soon as he comes back from the Underworld, he’ll still have that wound and die again? If the split heart will work after he’s dead, why not before as well?


3. So let me get this straight: Gold lost his power. Became an actual Hero. Became so selfless that he let go of the woman he loved. And after she left, he saw someone willing to sacrifice themselves to save the world and thought, "I know: I'll use their sacrifice to take all the power for myself!"


     That's it. I'm done. There is no possibly way to trust Gold anymore. He drew Excalibur from the freakin' stone and then turned around and became the Dark One as soon as he saw an opportunity. This negates his internal journey throughout the entire season. The ENTIRE season!


4. Why did Robin and Regina and the Charmings decide to join Emma on a journey to the Underworld after spending the entire episode trying not to go to the Underworld since they have CHILDREN to take care of!? Robin and Regina haven’t even named their baby yet!


5. Will Lillith show up next year? Or her father? Because we just kind of left that entire storyline behind during this season, and there's a lot of potential there.

Current Theories:

1. Regina’s father, Henry, is in the underworld trailer. WHAT IF he turns out to be the worst villain of all, since Regina killed him and perhaps he’s been harboring a grudge ever since!?


2. Will Hook's little half-brother show up again? Because I want him to.

3. Also, we were kind of left hanging about Henry and Violet. Where was she during all of this? And I'm still banking on the fact that her mother is Morgan LeFay.

4. Though it looks like Gold has sucked all the power of the Dark Ones back inside himself, will the Dark Ones still be waiting in the Underworld? Will they be powerless if they are? Ooh, will Merlin be there? Without her magic, will Nimue finally get a chance to get back together with him?

5. NEAL. I JUST REALIZED. NEAL. WILL BE THERE. AND GRANT. OH. MY. STARS.



     The possibilities are endless! But now it’s time for you to make the predictions as the next season rolls around. Until then, Dear Readers... I hope your holidays are magical.